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很认真看的一部电影,难得失望的赫本电影

- 编辑:金沙城中心 -

很认真看的一部电影,难得失望的赫本电影

第一天从快递这里得到这本《第凡尼的早饭》,被冯小玮瞧见了,她说: “电影作者看过,可是小编感到很相通阿!”笔者当即本能的申辩她:“未有呀,作者觉着电影很为难啊!”她不晓得,其实在那一刻笔者是心虚的,因为若干年前在自家看完那部影片之后小编的体会其实是和她相符的。而自个儿为此会行浊言清的告诉每种人电影很好,仅仅是因为,笔者相对不得以容忍任哪个人,特别是自家要好,对一切关于奥黛丽赫本的事物存在一小点思疑和否定。

      
       杜鲁门的创作。

“You know what's wrong with you, Miss whoever-you-are, You're chicken! You've got no guts. You are afraid to stick out your chin and say, ‘Okay, life's a fact’ People do fall in love ,People do belong to each other. Because that's the only chance anybody's got for real happiness. You call yourself a free spirit and wild thing. And you're terrified somebody's going to stick you in a cage. Well, baby, you are already in that cage. You buit it yourself...It's whereever you go because no matter where you run, you just end up running into yourself."

看电影最胃痛的正是悲从当中来的以为啊。 冲着赫本去的。看完电歌后,很执拗地想把影片批评往好的方向写,因为执着地感觉赫本美人加盟的影视不会踩雷,最终开采影片唯黄金年代的长处也唯有赫本的演绎了——即便有关那点也会有不菲人不一致敬。 听闻那个时候笔者是愿意Marilyn梦露来当女一号的,看完赫本的版本后,他后生可畏度意气用事,因为影片与他的著述完全不符。"她当然应该变得有钱和丑陋,但是直到最后他仍旧那么特出和贫窭!"女主霍丽应该是个罗曼蒂克的物质女,有着超导的驰骋驰骋,而赫本付与了他幸福,清纯的气息。但那样的霍丽仍然深得小编心。 赫本版的霍丽,邋遢而文雅,虚荣而纯洁,轻挑而善良。到电影截至,笔者脑英里飞舞的是他不涂口红不看信的高雅,是将电话藏进箱子里的豪放,是在雨中哭喊着找找被本身放弃的猫猫的悲凉,还会有那首美貌感人的《光明的月河》。 豆蔻梢头段不错的词儿: You know what's wrong with you, Miss whoever-you-are, You're chicken! You've got no guts. You are afraid to stick out your chin and say, ‘Okay, life's a fact’ People do fall in love ,People do belong to each other. Because that's the only chance anybody's got for real happiness. You call yourself a free spirit and wild thing. And you're terrified somebody's going to stick you in a cage. Well, baby, you are already in that cage. You buit it yourself...It's whereever you go because no matter where you run, you just end up running into yourself.

本身是偏执狂,小编是神经病,笔者很自豪的认同。

       赫本最特出的造型第2重放是时候是初级中学、只看了四分之二、惊惶看到不想要的后果第叁次看的时候是高后生可畏、憋了比较久依然想精晓结果、又不想从外人口中级知识分子晓 在自己眼里,Holly不是轻松的贪慕虚荣,她在世在十三分圈子里,看多了人情世故,再未有勇气去“奢望”真正的甜美。

  Holly : I don't want to own anything until I find a place where me and things go together. I'm not sure where that is but I know what it is like. It's like Tiffany's.
  Paul : Tiffany's? You mean the jewelry store.
  Holly Golightly: That's right. I'm just CRAZY about Tiffany's!
  霍莉:作者不想具备别样事物,直到小编找到一个地点,我和自个儿开心的事物在联合。作者不清楚这几个地方在哪个地方,不过自身驾驭它像什么样子,它就如蒂凡尼。
  Paul:蒂凡尼?你指的是那家珠宝店?
  霍莉:是的,我为之疯狂的难为蒂凡尼!
  Holly : I'm like cat here, a no-name slob. We belong to nobody, and nobody belongs to us. We don't even belong to each other.
  霍莉:笔者就像那只猫咪,一个从没有过名字的可怜虫。大家不归属任什么人,也并没有任哪个人归属大家,我们照旧不归属对方。

© 本文版权归小编  CCCathy  全数,任何款式转发请联系小编。

只是看完那本书之后,笔者根当地被从这种神经质般的偏执中抢救了出来,所以,作者要多谢卡Porter。

    这段让霍乐迪猛醒的摄人心魄台词。笔者要记下来。      
   
     -I am in love with you.   
     -So what?   
     -So what? So plenty! I love you.You belong to me.   
     -No,people don't belong to people.   
     -Of course they do.   
     -Nobody can put me in a cage.   
     -I don't want to put you in a cage. I want to love you.    -The same thing.   
       -No ,it's not,Holly...   
       -I'm not Holly.I'm not Lunemy either.I don't know who I am.   I and the cat,we are couples of no names.We belong to nobody and nobody belongs to us.We don't even belong to each other.      -Do you know what's wrong with you, Miss "who ever you are"?   
       You are chicken you've got no guts.   
       You are afraid of sticking out your chin and say, ok, life's a fact. People do fall in love.
             People do belong to
 each other.Because that's the only chance anybody gets real happieness.You call yourself a free spirit, a wild thing and terrified of somebody's gonna stick you in a cage. Well baby, you are already in that cage; you built it yourself. It's not bounded wherever you go. Because wherever you run, you just end up runing into yourself.

金沙城中心,至于那部电影有个鲜明的花絮,正是卡Porter在摸清要由赫本来演戈莉戈Wright利的时候已经表示过明显的反驳,但是电影摄像成功后他便再也并未有表示过其余争论了。在看过原来的文章以前,小编曾认为是赫本杰出的表现征泰山压顶不弯腰了卡Porter,现在才清楚那几个主张只是小编天真偏执的一厢情愿。

    第一次看是上了大二 相当少风姿罗曼蒂克部影片看一些遍 《碧海汝贤》也从未 近年来总喜欢回过头来看从前看过的东西 。
    Tiffany,那是个好地点,不会时有产生任何不欢快的工作。 搞些制片人最终给了个完备的后果 很巧,重温完电影第二天,在拍照底子课上和有些人无意间谈到了蒂凡尼的早饭原本诈骗了自己那样经过了超短的时间,小说的后果远远未有那么完美。 走了,散了,猫也淋湿了,找不回来了。男女二号在楼宇外的安全梯上上下下,从窗户爬出爬进;女二号坐在窗台上,弹着吉他,唱着moon river,嗓音柔和婉转。在早晨手携手逛大街,调戏蒂凡尼店员,游戏般偷面具 ,疯狂的大PARTY,极尽讽刺的锦衣玉食百态,那个对着镜子笑完又哭的才女 那多少个纯真时代也并不尽是完美。要不要去探视小说,看看那三个未被改写的故事。依旧愿意一贯被大惑不解。

假使自个儿是卡Porter,在看过影视之后,笔者心目那时候自然是心寒无可奈何却又以为滑稽的——那哪个地方依然本人的著述!作为商业片,它无疑是生机勃勃部精美的爱情正剧,不过它早就绝望的戴绿帽子了原作的神气,它明确只是生生的将原作中孩子主演这段似宛若无的沉吟未决挖挖出来,然后Infiniti的扩充使之明朗化,最终又猛烈的增加多少个讨人喜欢的公正无私的大结局。这是好莱坞想要的,那是观者想要的,只是那独独已经和卡Porter、和《第凡尼的早餐》那本书未有丝毫的涉嫌了。它们是五个完全分裂的事物。四个轻描淡写金碧辉煌,二个假借心绪为载体想表明的只是年轻将逝的哀伤。

恐怖的是,看完电影和读书原版的书文之后心获得的也是全然差异的心绪。未有读书过原来的小说的人在看完电影之后都会全盘陷入那类好莱坞老派电影的陷阱——所有的事务都是周到的,就疑似男生机勃勃号在车的里面临女二号说的这段优异到惊心动魄摇灵魂的台词同样:

“You know what's wrong with you, Miss whoever-you-are, You're chicken! You've got no guts. You are afraid to stick out your chin and say, ‘Okay, life's a fact’ People do fall in love ,People do belong to each other. Because that's the only chance anybody's got for real happiness. You call yourself a free spirit and wild thing. And you're terrified somebody's going to stick you in a cage. Well, baby, you are already in that cage. You buit it yourself...It's wherever you go because no matter where you run, you just end up running into yourself."

不过原来的作品却好像狠狠的删了那样好莱坞式的完美大器晚成记耳光—— People do fall in love ,People do belong to each other. 这是确实么?!!!

本身这一生长久不会忘了那天在教室看完整本书之后的以为,作者不菲地合上书页,人定定的坐着,只是以为灵魂被分离了身子,回过神来的时候不自觉的打了个寒颤,心想:“坏了,戈莉戈Wright利的‘心里发毛 ’的觉获得传染给小编了!”作者惊惶,胸中无数,笔者好似戈莉同样,期盼本人永世“在半路中”,然则静下心蓦然意识虽在行动,却不知目标地在何地,想要停下脚步却又怕戴绿帽子信仰。不知道自身归属何地,更不知道什么样事物是实在归于自己的,这一生永世在搜索什么东西然则每一回临近都会从指缝中流泻掉,小编怎么都抓握不住。每一遍依然想贪婪的为和睦留下些污秽,最终发掘便是留下了,也全都会被岁月湮没,一切在岁月前面都以虚妄的……

万事归零 …… cause we are empty ……

平常感伤至此,the click five的empty总会在脑中响起,真的很应景,就把那首歌当成是本身向卡Porter的问安吧,高潮部分是本身的大爱—— maybe we’re trying,trying too hard,maybe we’re torn apart,maybe the timing is beating our hearts,we’re empty —— 岁月流金,在时刻前边,大家都虚亏的弱小,眇小的非常。

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